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512. Anderson, Kevin J. "Much at Stake."
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513. Asimov, Janet. "The Contagion."
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514. Betancourt, John Gregory. "In the Cusp of the Hour."
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515. Dee, Ron. "A Matter of Style."
Neville, undead at age twenty-six, thinks "life" will be better now that he has the powers of a vampire. Rejections by women will be a thing of the past. He studies Bela Lugosi's Dracula and tries to emulate the suave charm unsuccessfully, as it turns out. Then one night he meets a woman who teaches him a very important lesson.
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516. Farmer, Philip José. "Nobody's Perfect."
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517. Gorman, Ed. "Selection Process."
A group of undead want to know if a certain hit man is ruthless enough to join their ranks.
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518. Graham, Heather. "The Vampire in His Closet."
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519. Hoch, Edward D. "Dracula 1944."
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520. Lochte, Dick. "Vampire Dreams."
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521. Lutz, John. "Mr. Lucrada."
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522. Philbrick, W. R. "The Dark Rising."
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523. Resnick, Mike. "A Little Night Music."
This is a comic look at Dracula as a rock musician. He heads a group called Vlad and the Impalers. The hip-talking Los Angeles agent who narrates the story has no idea why his new client only comes out at night, will not work on boats or in churches, and screams when a garlic pizza gets too close.
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524. Rice, Anne. "The Master of Rampling Gate."
When Julie's father dies he exhorts her brother, Richard, to destroy the ancestral home Rampling Gate. Julie and Richard decide to visit the place (which neither has ever seen) before carrying out

 
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